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Cellospeak, Inc.
Expanding Circles Through the Language of
Cello

8th
Annual
Cello
Workshop
For Adults
July 27th to August 2nd 2008
Wilson College, Chambersburg, PA
Dorothy
Amarandos, Artistic Director
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Dorothy
Amarandos, Artistic Director, is a graduate of the Eastman School of Music, a student of
Luigi Silva, with Bachelor’s/Master’s degrees and Performer’s
Certificate. She played in the Rochester Philharmonic under Erich
Leinsdorf for many years while teaching privately, and was lecturer
at the University of Rochester. Also in Rochester, as Founder/
Director/Producer of Ars Antiqua (a national touring group of
actors, dancers, singers, and players of original instruments),
Dorothy created and performed her 22 original concert-productions
based on material from the Medieval, Renaissance, and Baroque. Later
in Columbus, Ohio, she was professor of cello at Ohio State
University as well as Denison University, Ohio Wesleyan University,
and Otterbein College, and was principal cellist of the Columbus
Symphony. Currently she teaches a large class of private cello
students of all ages in her studio in Reston, VA.
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Dan
Allcott maintains a busy career as a conductor, cellist and
teacher. He received a Master of Music in Cello Performance from
Indiana University where he continued his Doctoral Studies in both
the Conducting and Cello programs. He left IU to become Music
Director of Atlanta Ballet, a position which he held for 6 years,
conducting over 250 performances. He currently teaches at Tennessee
Tech University where he is Director of Orchestras and Instructor of
Cello. He is Music Director of the Bryan Symphony Orchestra and his
recent guest conducting includes Omaha Area Youth Orchestras, Dallas
Symphony Orchestra, and various clinics throughout the country. He
continues to perform as a soloist and chamber musician and is cello
instructor at the Southeast Chamber Music Institute.
Allcott studied cello with John Ehrlich, Ann
Martindale-Williams, Janos Starker, Tsuyoshi Tsutsumi, and Helga
Winold. He studied chamber music with Michel Block, James Campbell,
Rostislav Dubinsky, Josef Gingold, Franco Gulli, and Menahem
Pressler. For the past three years, he has directed the cello
ensemble at the Tennessee Cello Workshop in addition to teaching
master classes.
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Tanya
Anisimova, cellist, composer, musical arranger, and improviser,
is successfully balancing her performing career with her composing
and recording projects. Her inimitable artistry always leaves her
listeners in awe. According to the Washington Post, Anisimova is a
musician graced with the “spiritual authority” and an ability to
“deeply move” her listeners; a critic from La Jomad Michoacan stated
that listening to Anisimova’s music has become for him “one of the
most notable music moments ever”.
Tanya’s concert repertoire is vast, stylistically diverse and, in a
way, unique since some of the selections have either been written
specifically for her or have been arranged by her – as her
arrangement for cello of the Chaconne from the Violin Partita No. 2
by J.S. Bach and other equally remarkable works. She is keen on
writing her own cadenzas for the concertos she performs, and her
cadenzas for the Schumann Cello Concerto and for both of the Haydn
Cello Concertos have become so popular that they are now being
performed by other cellists as well.
Ms. Anisimova began composing music while she was still a student at
the Moscow Central Music School. After graduating with honors from
the Moscow Conservatory, she came to the United States to continue
her musical studies at Boston University, and later at Yale where
she earned her Doctorate Degree. After receiving composition grants
from the National Endowment for the Arts and many other foundations,
Ms. Anisimova gained international recognition when she released a
recording of her own cello arrangements of the Complete Sonatas and
Partitas for solo violin by J.S. Bach in 2001 and again in 2004 when
she released her recording of the Six Cello Suites, also by J.S.
Bach, on which she included her own improvisations between movements
of the D minor Suite. Some of her compositions require a performer
to have vocalizing skills, as in her latest CD called “Sufi Soul” in
which her original compositions and multi-layered improvisations
have been described as “melodious, subtly mystical, deeply
emotional, and richly rewarding."
Anisimova’s upcoming performances include the world premiere of her
new cello concerto titled “Seasons” with the Moscow Conservatory
Chamber Orchestra in May, 2007. This year she will also perform in
Iceland and Germany; and in the United States, she will give
concerts in Boston, New Haven, Richmond, and Washington, DC.
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Robert Battey
is a freelance cellist and teacher living in Arlington, VA. He
studied locally with Robert Newkirk and John Martin, and then with
Bernard Greenhouse and Janos Starker. He has served on the faculties
of S.U.N.Y.-Stony Brook, the University of Missouri, the Levine
School, the Gettysburg Chamber Music Workshop, and the Virginia
School of the Arts in Lynchburg. He has appeared as principal
cellist of the Kennedy Center Opera Orchestra, the Kansas City Lyric
Opera, the Joeffrey Ballet, the Florida West Coast Symphony, and the
Alexandria Symphony.
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Nancy Baun, as the founding cellist in
the critically acclaimed Eaken Piano Trio, performed throughout the
United States, including three appearances at Carnegie’s Weill Hall,
and also in Iceland, Italy, Holland, France, and Banff, Canada.
During her thirteen-year tenure with the group, she performed over
1,000 events and appears on nine Eaken Trio recordings issued under
the Naxos international, Tupelo, and Catalpa Classics labels. A
student of Orlando Cole in Philadelphia, Nancy studied chamber music
with Menahem Pressler, Timothy Eddy, and Jasha Brodsky.
In addition to the numerous awards Nancy’s solo performances have
won, she was selected as an Artist Fellow at the Bach Aria Institute
in New York and the Aspen Music Festival. She is an active soloist,
having performed with over a dozen orchestras in her home state of
Pennsylvania. She is currently a member of the Ravel Trio, whose
concerts were recently described as “Ardent performance” by the
Baltimore Sun and “a blend of European elegance and American
spontaneity” by the Swiss paper La Liberte.
As an educator, Nancy served as Director of the Dickinson College
Artists-In-Residence program for eleven years, where she produced a
broad roster of community education activities. With collaboration
as a focus, she currently presents workshops to students of all ages
with organizations such as Young Audiences, receiving a YA national
grant for her series integrating classical music and painting. She
has a special commitment to adult musicians, and has been sponsored
by organizations such as ACMP (Amateur Chamber Music Players),
Chamber Music Conference of the East at Bennington College, and
Vivace Music Camp and ASTA (American String Teachers Association).
Now living in Buffalo, Nancy continues her teaching and concertizing
by performing with the Western New York Chamber Orchestra, the
Roycroft Chamber Music Festival, Friends of Vienna, and Classics on
Elmwood. Her musical life includes roles as a record producer, for
which she won the New York City FM station WQXR’s radio award in
2000. She also was executive producer for the Public Radio
International series “Home for the Holidays” coordinated with
Habitat for Humanity, which was aired for three consecutive years.
She is a frequent panelist at conferences, past director of a
national interdisciplinary arts conference, and an arts consultant
with clients nationwide.
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Erin
Eyles Espinoza is a professional cellist performing with
orchestras including the National Symphony Orchestra in concerts,
tours to the West Coast and North Carolina, and a televised
performance. She freelances in the Metropolitan Washington, D.C. and
Baltimore areas, and has worked with conductors and artists
including Leonard Slatkin, Lorin Maazel, Kent Nagano, Mstislav
Rostropovich, Itzahk Perlman, Pinchas Zukerman, Gil Shaham, Pamela
Frank, Hillary Hahn, Yo-Yo Ma, Truls Mork, and Alicia Weilerstein.
Erin has been a regular guest cellist with the Eclipse Chamber
Orchestra, in performances and recordings. She has also performed in
six recordings with the Air Force Strings. As a soloist, she has
appeared with the National Symphony Orchestra Summer Music Institute
performing Brahms’ Double Concerto in the Kennedy Center and with
the Air Force Strings as a featured soloist on tour performing
C.P.E. Bach’s Cello Concerto in A Major. Chamber music coaches
include Leon Fleisher, the Tokyo String Quartet, and Andrés
Cardenes. She was invited to perform in the Great Falls Symphony
Chamber Series and she was sponsored by the Maryland Council of the
Arts to perform chamber music in Atlanta. She has performed in
Argentina, Brazil, Chile, England, France, Germany, Japan, Scotland,
and Singapore. Erin has received degrees in cello performance from
Carnegie Mellon (Bachelor in Fine Arts), studying primarily with
Anne Martindale Williams, and Peabody Conservatory (Master in
Music), studying with Stephen Kates, Andrés Diaz, and David Hardy.
She maintains a private teaching studio in Maryland and Virginia.
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Jorge
Espinoza studied cello and taught the undergraduate and graduate
cello studio as an assistant teacher at the Peabody Conservatory of
Music, where he was awarded the Gregor Piatigorsky Full Scholarship
to study with Stephen Kates, David Hardy, and Andrés Díaz. He
graduated with honors from Universidad Católica de Chile and
received his Master's Degree in Music Performance on full
scholarship from Carnegie Mellon University in Pittsburgh, studying
with David Premo and Anne Martindale Williams.
Jorge freelances in the Washington, DC Metropolitan area, performing
with orchestras including the National Symphony under the direction
of Leonard Slatkin and Stephane Deneve. Jorge’s chamber music
performances in the Washington, DC metropolitan area include cello
and chamber music recitals at the Inter-American Development Bank
Cultural Center, the Library of Congress Coolidge Auditorium, the
Great Hall of McDowell in Annapolis, the Art Museum of Easton, and
solo performances of Beethoven’s Triple Concerto with the Chamber
Orchestra of Southern Maryland and the Londontowne Symphony
Orchestra. Jorge has concertized in his native land, Chile, and
throughout South America and the United States, Mexico, and France.
Jorge is a prizewinner of international competitions and awards
including the “Concurso Iberoamericano de Violoncello, Carlos
Prieto” in Mexico in 2004, the International Cello Competition "Dr.
Luis Sigall" in Viña del Mar, Chile, the Cynthia Woods Mitchell
Young Artist Competition in Houston, the Baltimore Music Club
Competition, the Maryland State Arts Council Solo Instrumental
Performance Award and two Peabody Career Development Grants.
Jorge has performed as principal cellist under conductors including
Leonard Slatkin, Leon Fleisher, Gustav Meier, and Maxim
Shostakovich. He has toured as principal cellist with the Manchester
Music Festival Orchestra. Previous teachers include Jorge Roman,
Laszlo Varga, Dennis Parker, Marcio Carneiro, and Antonio Meneses.
In addition to teaching privately in Ellicott City, Maryland, he
coaches string sectionals, and presents masterclasses and workshops
throughout the United States and abroad. He was invited to teach at
the National Philharmonic Summer Festival in Bethesda and he was
invited to present masterclasses in Mexico City.
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Rodney Farrar
of
Littleton, Colorado, has been a professional cellist for 30 years, enjoying a varied career ranging
from symphony, chamber music, and solo recital performance to university
teaching and private instruction for students of a wide range of ages and
levels.He has been actively
involved in the development of Suzuki cello teaching in this country and has
been guest clinician at hundreds of institutes and workshops throughout the
U.S. and Canada sponsored by Suzuki programs, public school music programs and private cello
studios. A native of Ann Arbor, Michigan, Rodney attended Oberlin Conservatory of Music, Eastman School of Music and
Indiana University School of Music. His
cello teachers have included Gretchen Dalley, Peter Howard, Ronald Leonard, and Janos Starker. He was professor of cello at the
University of Kentucky for many years. He also taught at
the Crane School of Music in Potsdam
New York, summer sessions at the
University of Illinois
in Champaigne-Urbana, and at the Brevard Music Festival in Brevard, North Carolina.
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Gary Fitzgerald has had a wide-ranging
career in Montreal, New York City, Washington DC, and Perth (Western
Australia) as a cellist, pianist, conductor, arranger, clinician. He
was trained at the Juilliard School where his teachers included
Leonard Rose, hanning Robbins, and Lynn Harrell. He was Assistant
Principal Cellist with the Montreal Symphony Orchestra and Principal
Cellist for the Australian Broadcasting Corporation in Perth, and a
member of several prestigious orchestras and chamber ensembles in
the U.S. He left New York to become a full-time church musician,
holding directorships in Virginia and in South Carolina. Currently,
as Director of Worship Arts for the Church of the Apostles in
Fairfax, VA, he is responsible for a full program of offerings in
music, drama, dance, and the visual arts.
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Stephen Framil, distinguished as the first American cellist to perform in
Hanoi since the Vietnam War, has performed as concert soloist around the world:
including Carnegie Weill & Avery-Fisher Halls (New York), Hong Kong City Hall,
with the Franz Liszt Chamber Orchestra (Hungary), Volgograd Philharmonic
Orchestra (Russia), Latvian Philharmonic Chamber Orchestra (Italy Tour), Manila
Philharmonic Orchestra (Philippines), National Philharmonic of Moldova, RTSH
Orchestra (Albania), Oltenia State Filarmonica (Romania), Zaporozhye Symphony
Orchestra (Ukraine), Vratza Philharmonic Orchestra (Bulgaria), Viêt Nam National
Symphony Orchestra, Bombay and Bangalore Chamber Orchestras (India), Redlands
Symphony Orchestra (CA), Nashville Chamber Orchestra (TN), Dame Myra Hess
Memorial Concert Series (“Live” Broadcast on WFMT - Chicago), Brunei Music
Society, and the Hong Kong Chamber Music Society, among others.
As a master cellist Stephen Framil (DM, Indiana University) has given
masterclasses at the Shanghai Conservatory (China), Yong Siew Toh Conservatory
(Singapore), University of Illinois (Champaign-Urbana), DePaul University
(Chicago), Longy School of Music (Boston), Vanderbilt University/Blair School of
Music (Nashville), University of Arizona, Roosevelt University/Chicago College
of Performing Arts, University of Reno, Volgograd Conservatory (Russia), Moldova
Academy of Music, University of Hong Kong, Silliman University (Philippines),
and the Hanoi Conservatory (Vietnam), to name a few. Dr. Framil has adjudicated
the 2004 Hong Kong Schools of Music Festival, and will judge the 2007 Schadt
String Competition (Cello) in Allentown, PA.
Dr. Framil has been an Assistant Professor of Music at Andrews University in
Michigan (1994-2002), and a Visiting Professor at the University of Delaware
(2003-2004) and Lincoln University in Pennsylvania (2005-2006). An advocate of
inner-city music education, Dr. Framil is the Music Director & Conductor of the
South Philadelphia Youth Orchestra, the All-City Middle School Festival
Orchestra of Philadelphia, and Founder & Director of the West Catholic
Conservatory of Philadelphia: a community music school that provides free
private music lessons to underserved youth.
Recordings by Stephen Framil for RADIO 4 HONG KONG include the complete J.S.
Bach Suites for Solo Cello, as well as the works for solo cello by Zoltán Kodály
and Gaspar Cassadó. In April 2006 he recorded the two Haydn Cello Concertos with
Paul Freeman and the Czech National Symphony Orchestra: this recording will be
released in 2007 under CENTAUR RECORDS.
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Kristin Gilbert, cellist and pianist, graduated
from Mills College and received her MA degree in music performance from Catholic
University. She also studied as a graduate student at the University of Southern
California and at the Aspen Music Festival. She is a founding member of the
Coventry Quartet which was formed in 1988 at the Shenandoah Music Festival in
Orkney Springs, VA. She has performed extensively with local groups, is a member
of the Fairfax Symphony Orchestra, and teaches both cello and piano in her
private studio in Falls Church, VA.
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David
Howard grew up on a dairy farm in upstate New York. He started
piano at an early age and took up the cello in seventh grade in
order to play in the school orchestra. At Ithaca College he majored
in Music Education, graduating with honors in 1969, then taught high
school music for two years before joining the National Symphony
Orchestra in 1971. Since then he has lived in the Washington DC
area, performing, teaching, and raising a family.
His primary teachers have been Einar Holm, Jonathan Abramowitz, and
Robert Newkirk; his professional credits include membership in the
Foggy Bottom Chamber Ensemble, the Cameron String Quartet, and the
Howard-Breth Duo. For twelve years he was a musician/actor with DC
Playback Theater, an improv acting company. Currently, in addition
to his position in the NSO, he is a member of the Eclipse Chamber
Orchestra.
In 1983 he was awarded a Masters of Music Performance from Catholic
University and in 1998 a Masters of Education from George Washington
University. Also, he has been on the faculty of Howard University.
Today, he maintains a teaching studio in his home and enjoys
gardening, cooking, and spending time with his seven grandchildren.
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Robert
Park
received his bachelor’s degrees in physics and computer science from
the University of Maryland and his masters’ and doctorate in cello
performance from The Catholic University of America. He studied
cello with Mihaly Virizlay at the Peabody Institute, Robert Newkirk
at Catholic University , Miron Yampolsky at American University ,
Evelyn Elsing at The University of Maryland, Gabor Magyar at the
University of Illinois and Dorothy Kempter Barrett in Albuquerque,
New Mexico. Recently retired after 22 years service as principal
cellist with The United States Army Band, he continues to perform
and teach privately and as an adjunct assistant professor of cello
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Douglas Wolters performs in the
Washington, DC area on modern and baroque cello as well as on the related
stringed instrument, the viola da gamba. A graduate of the New England
Conservatory, he studied cello with Mihaly Virizlay and the viola da gamba with
Gian Lyman Silbiger. Currently he is principal cellist of the Bach Sinfonia and
the Gettysburg Chamber Orchestra and is a member of the baroque ensemble
L’Arabesque. Doug teaches stringed instruments for Fairfax County, VA.
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